SoundMeter 8.3 and SoundMeter Pro 4.3 can now log sound levels at user-defined intervals for an arbitrarily long period of time. Each includes a new option to automatically export logged measurement data when the measurement duration is reached. If Auto Stop is disabled, SoundMeter will continue to save the current logged data to a new data file each time the duration is reached. This new Auto Save option has been added to both the Meter and Octave tools.
Data logs can be automatically saved to CSV, TXT, or MAT files.
Also new in SoundMeter:
When logging, Leq, Lp_max, and peak sound levels can be reset each time they are logged. With this option, it is possible to log a short Leq of 0.1 seconds for up to 8 hours. With the new Auto Save feature, the logging can be extended indefinitely.
When logging Lx values in the Meter tool, the user-defined percentile value will be fixed at the time logging starts. It is still possible to view different user-defined percentile values in the live meter display while the fixed percentile values are being logged.
A bug has been fixed which could cause errors in the Octave data when logging was enabled.
The formatting of the HTTP file server pages has been improved.
Audio input management has been improved to avoid the potential for transient noise from the hardware when a new measurement is started.
SoundMeter Pro uses much less memory when exporting data logs to CSV and TXT files.
The Octave log surface plot uses much less memory when viewing large data sets.
Other cosmetic enhancements and stability improvements.
In SoundMeter, the new features will require the purchase of one or more upgrades, which are available via in-app purchase. They are included in SoundMeter Pro.
SoundMeter 8.3 and SoundMeter Pro 4.3 are now available for download on the App Store.
Electroacoustic’s Toolbox 3.8.3 can now be downloaded from the Mac App Store and from FaberAcoustical.com.
New in version 3.8.3:
An issue with channel sensitivity adjustments in the Meter Bridge and Sound Level Meter tools has been addressed.
When loading Room Analyzer tools from a project file, if a permissions error occurs for an audio file being used for analysis, an Open dialog will be presented with the file in question selected. Once the file is then manually loaded via the dialog, the permissions will be properly set for the next time the project is loaded. This is an issue with sandboxed copies of Electroacoustics Toolbox downloaded from the Mac App Store.
The Room Analyzer tool’s plotting is more reliable when loading the tool from a project file on recent versions of Mac OS X.
SignalScope Pro for Mac has also been updated with the same improvement to the Meter Bridge and Level Meter tools.
The FFT-based spectrum analyzer in SignalScope Pro 6.2 allows arbitrary upper and lower frequency bounds (Fmax and Fmin) to be specified for the spectrum display. The cursor peak track function will operate only within the specified frequency bounds. The hardware sample rate may optionally be automatically adjusted to best match the specified value for Fmax.
A typical minimum sample rate of iOS hardware is 8 kHz. If a frequency resolution of 1 Hz is used for the spectrum, and values of 10 and 400 are specified for Fmin and Fmax, respectively, the data between 10 and 400 Hz will be plotted and the plot will be scaled to extend only from 10 and 400 Hz. If the cursor peak track function is enabled, the cursor will find the frequency of the highest magnitude between 10 and 400 Hz.
If the option to automatically adjust the sample rate based on Fmax has been selected, the hardware sample rate (Fs) will automatically be reduced to the minimum rate required to acquire data up to 400 Hz. In the case of typical iOS or USB audio input hardware, this rate would be 8 kHz. Since FFT data would then include values between 0 and 4 kHz, an additional option allows either all data (0 to 4 kHz) or only data from 10 to 400 Hz to be exported when saving FFT data to a CSV, TXT, or MAT file. Note that the DC term may be omitted from exported data when FFT data is displayed on a logarithmic frequency scale.
Also new in SignalScope Pro 6.2:
When “cpm” is selected for units of frequency, exported data files will include frequencies specified in cpm.
The nominal microphone sensitivity is properly set on the new iPhones.
Other bug fixes/stability enhancements, including iOS 9 compatibility.
Similar improvements have been added to version 7.2 of SignalScope. Specifying values for Fmin and Fmax in SignalScope require the Data Acquisition Upgrade, which is available via in-app purchase.
SoundMeter 8.2 and SoundMeter Pro 4.2 are now available for download on the App Store. Each new version includes proper handling of the built-in microphone on iPhone 6S and iPhone 6S Plus devices and minor changes in iOS 9.
Unfortunately, the new iPhones do not support analog input gain selection for the built-in microphones as previous iPhone models did. The fixed input gain of the iPhone 6S/Plus matches the “Mid” input gain setting in the iPhone 5C, 5S, and 6 models. This means that the peak sound level that can be measured using the built-in microphone of the new iPhones is nominally 116.5 dB. Previous iPhones, on their lowest input gain setting, could measure nominal peak levels of 136 dB.
The SoundMeter apps now allow mixing audio with other apps. This means that it is possible to play music from the Music app while performing measurements with SoundMeter or SoundMeter Pro. It is also possible to mix the output of the signal generator with the audio output from another app.
Also new in each app, when using an iPhone or iPad that has multiple built-in microphones, the unique name of the selected microphone is displayed (e.g. “Bottom Microphone” or “Right Microphone”).
SignalScope Pro 6.1 and SignalScope 7.1 have been released for sale on the App Store with some important enhancements, including the ability to mix audio output with other apps. Audio mixing means that it is possible to play music from the Music app while performing signal analysis with SignalScope or SignalScope Pro. It is also possible to mix the output of the signal generator* with the audio output from another app.
The SignalScope apps include other important enhancements:
The FFT analyzer tool now supports frequency resolution as fine as 0.1 Hz for audio input signals.
When working with an iPhone or iPad that has multiple built-in microphones, the unique name of the selected microphone is displayed (e.g. “Bottom Microphone” or “Right
When analyzing two input channels in the Octave tool, both spectra are displayed in a single line plot.
Although Faber Mac and iOS apps have offered excellent sound and vibration analysis tools from the start, the introduction of the Digiducer 333D01 USB Digital Accelerometer makes vibration measurement easier and more portable. When the 333D01 is connected to a Mac, iPhone, or iPad, it will be immediately recognized by our apps and ready for calibrated measurements.
For example, SignalScope Pro will recognize the connected 333D01 as an accelerometer and set the measurement units accordingly. SignalScope Pro will also automatically read calibration information from the 333D01 and establish the appropriate sensitivity so calibrated measurements can be made immediately. This works with both the Mac and iOS versions of SignalScope Pro.
The 333D01 communicates with Mac OS or iOS via the standard USB Audio Class driver. Connecting to a Mac is as simple as plugging the 333D01’s cable into an available USB port. For iOS, Apple’s Lightning to USB Camera Adapter is required.* When connecting to iOS, no additional power source is required, which makes Faber apps and the 333D01 part of an ultraportable vibration measurement system.
For some time, SoundMeter has offered an optional in-app upgrade that would allow users to log sound level and noise dose measurements for up to two weeks. Version 8.1 adds an upgrade to allow whole and 1/3 octave sound levels to be logged for similar durations. The Octave Data Logging Upgrade will be made available within SoundMeter to users who have already purchased the Octave Analyzer Upgrade.
When Octave data logging is enabled, logged levels are displayed in a 2D color surface plot below the standard Octave spectrum graph. The color scale is defined by the vertical scale of the spectrum graph. A data cursor may be placed within the log plot to identify specific levels associated with date, time, and frequency band.
Octave data can be logged as often as every 0.1 seconds for up to 1 hour, every second for up to 10 hours, or every 10 seconds for up to two weeks. Larger intervals can also be specified in each case.
When data logging is enabled, logged levels will also be included when saving data to a CSV, TXT, or MAT
file. (Saving data in SoundMeter requires the Data Acquisition Upgrade, sold separately.)
SoundMeter Pro includes all the functionality of SoundMeter plus that of SoundMeter’s in-app upgrades. Current SoundMeter Pro users get the additional Octave data logging functionality for free.
Version 3.8.2 of Electroacoustics Toolbox for Mac OS is now available for download from FaberAcoustical.com and on the Mac App Store. This update corrects an issue that could prevent captured data from being successfully exported from the Dual FFT Analyzer tool using the Export All command.
Electroacoustics Toolbox is compatible with Mac OS version 10.7 or later.
Faber Acoustical is pleased to announce that a live Spectrogram tool is now available for purchase within SignalScope and SignalScope Pro. The Spectrogram tool is offered in both 2D and 3D versions. The 3D Spectrogram includes all the functionality of the 2D version and adds powerful hardware-accelerated 3D plotting capabilities including a live 3D surface plot. A 3D upgrade is available to those who opt to purchase the 2D version.
The real-time Spectrogram plots FFT-based spectral data versus time in a colorful surface plot. Signal magnitude at each time and frequency is represented by color. Use single-finger tap and drag to place a data cursor within the plot. When the cursor is visible, details regarding time, frequency, and magnitude will be displayed above the plot.
Main Features (available in both versions of the Spectrogram tool:
Frequency resolutions between 1 Hz and 50 Hz, depending on sample rate, may be specified for audio input (between 1 Hz and 10 Hz for the built-in accelerometer).
Input data can be windowed with one of 7 different FFT data window types.
Spectrogram data can be captured over time periods ranging from 2 to 20 seconds.
Lin, log, and dB magnitude scales with Up, Down, or Full auto-scaling.
Lin and log frequency scales.
Fractional-octave band frequency smoothing in 1/6, 1/12, and 1/24-octave bands.
Cursor peak track can track peaks in time, frequency, or both.
Color scale bar graph enables manual adjustment of magnitude scale and offset. The color scale can also be hidden.
Data may be exported to CVS, MAT, or TXT files for post processing or plotting. Optionally, include GPS location information with exported data. (The data export option is included in SignalScope Pro. It requires the Data Acquisition upgrade, sold separately, in the standard version of SignalScope.)
Optionally save a high-resolution PDF file of the spectrogram plot, or save an image to your Photos library.
3D Spectrogram Features:
Choose between 2D and 3D surface plots. Each plot can be drawn live (in real time).
Trackball-style 3D rotation of the 3D surface plot, just by dragging a single finger across the plot.
Tap with a single finger to place a cursor within the 3D plot.
In 3D, the cursor outlines the time and frequency slice associated with its current location.
Optional grid planes for each axis (magnitude vs. frequency, magnitude vs. time, and frequency vs. time) are drawn at the bounds of the 3D plotting region.
By default, the 3D spectrogram is drawn as a surface and magnitude values are represented by both position and color. The surface can be turned off, which allows data to be drawn only as a mesh.
The 3D spectrogram data can be seen as a solid-colored mesh (the mesh draws nothing between its lines or points). The mesh can be overlaid on the surface or drawn alone.
The mesh can be drawn as lines in time, lines in frequency, or lines across both time and frequency. It can alternatively be drawn as a series of dots, each one representing a single spectrogram data point.
When only viewing the 3D spectrogram data as a mesh, the time and frequency slices outlined by the cursor show through the mesh, making it very easy to see them in the midst of the rest of the data.
Also new in SignalScope and SignalScope Pro:
GPS coordinates, altitude, and accuracy may now optionally be saved with FFT, Spectrogram, or Oscope data when exporting to a data file (Data Acquisition Upgrade required in SignalScope).
Downloaded frequency response data for connected microphones will automatically be saved in a file in the Frequency_Response_Data folder to make it easier to access at a later time.
Smarter selection of the maximum frequency when FFT data smoothing is enabled.
Fixed an issue with Full Autoscale in the FFT analyzer.